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Reading List for FLLD Ph.D. Candidates

June 2005

ENGLISH ANGLO-SAXON PERIOD AND MIDDLE AGES

The Battle of Maldon  Beowulf Seafarer Wanderer  Dream of the Rood
Sir Gawain and the Green Knight  The Second Shepherds Play Everyman  Noah's Flood  Canterbury Tales


THE RENAISSANCE PERIOD

Poetry (Unless specified, all selections are from the current edition of The Norton Anthology of English Literature)

Sonnet and sonnet sequence Henry Howard (Earl of Surrey) Edmund Spenser:  The Shepherd's Calendar The Faerie Queene (Books I & II)
John Milton: Paradise Lost  Christopher Marlowe:  Hero & Leander Sir Thomas Wyatt John Donne 
Shakespeare John Milton

Prose
Sir Thomas More:  Utopia

Drama

Christopher Marlowe: Dr. Faustus Ben Jonson: Volpone   John Webster:  The Duchess of Malfi
William Shakespeare: Romeo and Juliet Hamlet Othello
Macbeth Twelfth Night King Lear

THE RESTORATION AND THE EIGHTEENTH CENTURY (1660-1789)

Poetry

John Dryden: MacFlecknoe  Alexander Pope: The Rape of the Lock

Prose

Jonathan Swift: Gulliver's Travels Mary Wollstonecraft: A Vindication of the Rights of Woman

Drama
William Wycherley: The Country Wife  John Dryden: All for Love
William Congreve: The Way of the World  Richard B. Sheridan    School for Scandal

Novel

Daniel Defoe: Robinson Crusoe Samuel Richardson: Pamela Henry Fielding: Tom Jones


NINETEENTH CENTURY

Poetry (All selections are from the current edition of The Norton Anthology of English Literature)

William Blake  William Wordsworth  Samuel Taylor Coleridge Lord Byron
Percy Bysshe Shelley John Keats Lord Alfred Tennyson Robert Browning
 Mathew Arnold Gerard Manley Hopkins  Elizabeth Barrett

Novels

Jane Austin: Pride and Prejudice Charles Dickens: Great Expectations Emily Bronte: Wuthering Heights
George Eliot: Middlemarch Charlotte Bronte: Jane Eyre Thomas Hardy: Tess of the D'Urbervilles

Drama

Oscar Wilde: The Importance of Being Earnest Lord Byron: Manfred Percy Bysshe Shelley: Prometheus Unbound


TWENTIETH CENTURY

Poetry (All selections are from the current edition of The Norton Anthology of English Literature)

Thomas Hardy  Philip Larkin W. H. Auden
Dylan Thomas W. B. Yeats T. S. Eliot

Novels

Joseph Conrad: Heart of Darkness Conrad: Lord Jim E. M. Forster: A Passage to India Forster: A Room with a View
D. H. Lawrence: Women in Love Lawrence: Lady Chatterley's Lover Virginia Woolf: To the Lighthouse Woolf:  Mrs. Dalloway
James Joyce: Dubliners Joyce: A Portrait of the Artist as a Young Man Graham Greene: The Heart of the Matter George Orwell: Nineteen Eighty-Four 
John Fowles: The French Lieutenant's Woman Anthony Burgess: A Clockwork Orange V. S. Naipaul: A Bend in the River Salman Rushdie:  Midnight's Children
J. M. Coetzee: Life and Times of Michael K

Drama

T. S. Eliot: Murder in the Cathedral John Synge: Riders to the Sea Sean O'Casey: Juno and the Paycock
George Bernard Shaw: Major Barbara Samuel Beckett: Waiting for Godot Harold Pinter: The Birthday Party


AMERICAN LITERATURE BEFORE 1900

Early American Literature (All selections are from the current edition of The Norton Anthology of American Literature)

Anne Bradstreet  Edward Taylor Jonathan Edwards Thomas Paine

Nineteenth-Century American Literature

Washington Irving: "Rip Van Winkle" James Fenimore Cooper: "The Last of Mohicans" Edgar Allan Poe:  "The Fall of the House of Usher"
Ralph Waldo Emerson: "Nature," "Self-Reliance," "The American Scholar" Henry David Thoreau: Walden Walt Whitman: "Song of My Self"
Herman Melville: Moby-Dick, "Bartleby the Scrivener" Emily Dickinson     (Selections from the current edition of The Norton Anthology of American Literature) Samuel Clemens:  The Adventure of Huckleberry Finn 
Henry James: The Portrait of a Lady , Daisy Miller Nathaniel Hawthorne: The Scarlet Letter Jack London: The Call of the Wild
Stephen Crane: The Red Badge of Courage Kate Chopin: The Awakening

AMERICAN LITERATURE AFTER 1900 

Poetry (All selections are from the current edition of The Norton Anthology of American Literature)

Robert Frost  Ezra Pound T. S. Eliot   William C. Williams E. E. Cummings 
Wallace Stevens Sylvia Plath Allen Ginsberg Anne Sexton Gary Snyder
Robert Lowell Elizabeth Bishop Langston Hughes Adrienne Rich

Novels

Edith Wharton: The Age of Innocence Sherwood Anderson: Winesburg, Ohio Ernest Hemingway: The Sun Also Rises 
William Faulkner: Absalom, Absalom! F. Scott Fitzgerald: The Great Gatsby  John Steinbeck: The Grapes of Wrath 
Ralph Ellison: Invisible Man J. D. Salinger: The Catcher in the Rye Vladimir Nabokov: Pale Fire
E. L. Doctorow: The Book of Daniel Maxine Hong Kingston: The Woman Warrior Joy Kogawa: Obasan
Silko: Ceremony Toni Morrison: Beloved

Drama

Eugene O' Neill: Long Day's Journey into Night Arthur Miller: Death of a Salesman Thornton Wilder: Our Town
Tennessee Williams: A Street Car Named Desire Edward Albee: Who's Afraid of Virginia Woolf?


Criticism and Theory

Classical Criticism and Theory (Selections from Critical Theory since Plato, 1992 ed.)

Plato: Republic from Book I, from Book II, from Book X Aristotle: Poetics Longinus: On the Sublime
Sir Philip Sidney: An Apology for Poetry John Dryden: An Essay of Dramatic Poesy David Hume: "Of the Standard of Taste"
Alexander Pope: An Essay on Criticism

Edmund Burke: 

from A Philosophical Inquiry into
the Origin of Our Ideas of the Sublime and the Beautiful

Introduction "Of Taste"
Section VII "Of the Sublime"
Section X "Of Beauty"
Section XXVII "The Sublime and Beautiful Compared"

Immanuel Kant:  Critique of Judgment

from First Book "Analytic of the Beautiful"

from Second Book "Analytic of the Sublime"

William Wordsworth:  Preface to the Second Edition of Lyrical Ballads

Samuel Taylor Coleridge: 
Biographical Literaria
from Chapter XII, from Chapter XIV, from Chapter XIII

Matthew Arnold: Preface to the 1853 Edition of Poems

"The Function of Criticism at the Present Time"

from The Study of Poetry

Modern Criticism and Theory (Selections from The Norton Anthology: Theory and Criticism, unless marked by * )

Karl Marx and Friedrich Engels: from The Communist Manifesto Sigmund Freud: "The Uncanny," "Fetishism" T.S. Eliot: "Tradition and the Individual Talent"
Antonio Gramsci: "The Formation of the Intellectuals" Walter Benjamin: "The Work of Art in the Age of Mechanical Reproduction" Mikhail M. Bakhtin: "Discourse in the Novel"
Jacques Lacan: "The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience" Northrop Frye: "The Archetypes of Literature" Roman Jakobson: "The Metaphoric and Metonymic Poles"
Roland Barthes: "The Death of the Author" *J. Hillis Miller: "The Critic as Host" from Deconstruction and Criticism Raymond Williams: Marxism and Literature  Part 1. Chapter 3 "Literature"
Frantz Fanon:  "On National Culture" Gilles Deleuze and FéLix Guattari: Kafka: Toward a Minor Literature from Chapter 3 "What Is a Minor Literature?" Jean-François Lyotard: "Defining the Postmodern"
Michel Foucault: "What Is an Author?" "Truth and Power" Wolfgang Iser: "Interaction Between Text and Reader" E. D. Hirsh JR.: "Objective Interpretation"
Jean Baudrillard: from The Precession of Simulacra *Jacques Derrida: "Structure, Sign, and Play in the Discourse of the Human Sciences"  from Writing and Difference Trans Alan Bass. London; Routledge, 1978. 278-293. Fredric Jameson:  The Political Unconscious "Narrative as a Socially Symbolic Act"
Hélène Cixous: "The Laugh of the Medusa" Julia Kristeva: from Revolution in Poetic Language, Part I. "The Semiotic and the Symbolic" Gayatri Chakravorty Spivak: "Can the Subaltern Speak?"
*Homi K. Bhabha: "Of Mimicry and Man"  from The Location of Culture Judith Bulter: Gender Trouble  from Chapter 3. "Subversive Bodily Acts"
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